Quote
W. Brückle, T. Knüsel, and M. Achim, "Hacking, Post-Photographic Practice, Digital Détournements," The Numbers, no. 10, pp. 16-22, 2021.
Content
Over the past decade, digital transformation has directly or indirectly inspired the development of new degree programs at the Lucerne School of Art and Design. Fostering digital literacy and reflecting on the creative and societal implications of technological change are now key objectives of our institution. Post-photography has emerged as a central theme in this process. But what exactly do we mean when we use this term? Is it photography for the electronic age, where digital technology transforms, intensifies, and expands photography, or does it encompass all forms of self-reflection on photographic practices? Does it imply the dominance of metadata over the experience of the image? Is it image or information?
Features: Wolfgang Brückle and Thomas Knüsel in conversation with Achim Mohné on hacking, post-photographic practice, digital détournements, and their relevance to art in the new public space.
Issue Editors
Wolfgang Brückle and Salvatore Vitale
114 pages, May 2021
ISBN 978-3-033-08491-9
Language: English
Keywords
Fotografie
Hacking
Medienkunst
Post-Photograpy
Public Space
public space